Archive for the 'Fiction' Category

How Lonesome a Life Without Nerve Gas

The latest podcast on Steve Eley’s Escape Pod has to be the best story of the series to date. For the uninitiated, Escape Pod is a weekly sci-fi audio magazine. It features the best in new fiction and spans the fantasy and science-fiction genres.

This week’s story “How Lonesome a Life Without Nerve Gas” was written by James Trimarco and narrated by Resonance FM’s Frank Key. Cory Doctrow of BoingBoing states that “Frank Key, of the Hooting Yard podcast, gives it a dry, sardonic reading that fits perfectly.”, and I am in agreement. BoingBoing also link to Frank’s web-site (but sadly not the podcast feed).
I’ve been trying to get Cory Doctorow to read / listen to Hooting Yard on the Air for some time now (well at least the brief time that I knew him and he lived in London). Could it be that he too is an aficionado of Frank Key’s “Hooting Yard on the Air“?

Tron 1.0.1

Released in 1982, Tron is an animated feature film from the Walt Disney Corporation. This film combines live action with CGI and traditional cell animation. The artistic result is way ahead of it’s time; indeed we can safely argue that Tron is the visual forerunner of the cyberpunk genre. The “computer world” of Tron has inspired the alternative realities of more recent works such as Sega’s “Rez” and “The Matrix”.

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Tron’s plot is a thinly veiled allegory for the great debate between operating system pioneers Linus Torvalds and Andrew Tannenbaum; spesifically the eternal battle between advocates of monolithic operating system design vs micorkernel. Tron’s producers take a very one-sided view of this argument – the monolithic “Master Control Program” is clearly the bad guy, however in their credit, this was merely the received wisdom of the age. Regardless of the computer-science flaws, the film is visually superb entertainment more than twenty years after it’s original release.

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That isn’t to say the film has dated; It certainly has – while the animated sections remain compelling, the live action segments set in the real world appear ludicrous and clumsy. They lack the panache of the virtual-reality scenes and only serve to provide a somewhat redundant set-up for the entirely self-contained animated sequences that form the body of the film.

The live-action epilogue is also baffling in it’s redundancy. I suspect the film producers were trying to provide some kind of revenge themed closure, in which our hero replaces the corrupt manager of the company; Once again, this live action sequence detracts from the final sequence of the animated section where we see “Flynn” rise god-like from the spinning wreck of the “master-control program”. We can only assume he has made it, but his absence from the cyberscape after that moment leaves us in doubt.

One of the film’s main strengths is it’s sound-track. The score was composed and performed by Wendy Carlos (an associate of the recently deceased synth-pioneer Bob Moog), with help from the London Symphony Orchestra. It’s evocative, subtle, original and entirely spoilt by a number of unimaginative prog-rock tracks by a band called “Journey”. Fortunately there are only two sections of prog-rock in the film, both of which are somewhat redundant.

Perhaps by now you have twigged, that it’s my intent to correct some of these flaws. In a nutshell, we have an visually superb film spoilt by some unnecessary, badly-filmed live-action sequences. Thanks to affordable digital editing software I can now take my DVD copy of this film and completely strip it of all of it’s flaws, leaving a shorter, more challenging and ambiguous film.

When you remove the “real world” from Tron you get a completely different effect. Without any orientation, we do not nececarily know from the beginning what the nature of these characters who inhabit the virtual world are.

We see Clu apprehended and apparently crushed by a “recogniser” at the start of the film. In the original version Clu is destroyed and replaced by his alter-ego. In my version he is merely thrown into the “game-grid” as a result of his capture. Naturally that also explains his colour change. In Tron, the MCP’s agents are predominantly coloured red, whereas the fugitive programs are pale-blue.

Of courese, if the real-world does not exist then how do we explain Clu/Flynn’s change of manerism and his claims to be a user. Before his apprehension he makes no reference to userdom (the equivalent to divinity in the computer-world). Is Clu delusional or perhaps some kind of computer-world mesiah.

My reduced ending also adds a delicious ambiguity to what in the original version is shown to be a clean escape. Clu/Flynn is propelled upwards in the disintegration of the MCP. He is not shown to have been destroyed, but nor is he shown to be safe, or re-united with the programs that he has saved from assimilation. We are now free to interpret the nature of his escape for ourselves.

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Sadly, the film Tron and it’s soundtrack are copyrighted works. This means I cannot legally distribute a copy of this movie, however I will release my “Edit Decision List”, the recipe for you to take a copy of the Tron film and re-create my edits. This will be released into the public domain, which means that anybody is free to view this classic work of science fiction is it was meant to be.

Dr McNinja

Tom Hume has been readingThe Adventures of Dr. McNinja“, and exciting cartoon series…

Dr McNinja… he’s a medical doctor but he is also a Ninja. He wants to save life but his Ninja family want him to join the family business… assasination. Dr McNinja faces extrordinary dangers in his medical career - like giant lumberjacks and his own dissapointed family.  And if that wasnt enough to deal with, he’s got to resolve the aincient blood feud between the Ninjas and the Pirates.

Bulldog Story

Let me tell you about the man who ruined me; He goes by the name “Bulldog”, a nick-name which was not awarded for his tenacity and patriotism, but for appearance; he is a stunted, wrinkled homunculus of a man. Not so long ago, I made the mistake of signing one of his contracts; A mistake with consequences I must face for the rest of my sad, sad life…

I first met Bulldog when his battered old Bedford Rascal juddered to a halt outside my home; I remember him as an unattractive man; short and balding with a chubby face and a conspicuous gold chain that draped as far as his pot-belly. He wore a paint-spattered sweater. In short, he looked like the very model of a British tradesman.

“Me and the boys was doing some internet work round the corner, and we got some left over from the job”, he offered. “I can do it for ya real cheap”.

“What exactly is it you are selling?”, I enquired. The stocky man began to look at me as if I was the village idiot.

“Internets”, he retorted. “I’ve got a whole van full of Internets, lovely quality and I’m selling `em at half price”, he added, gesturing towards his partner who nodded inanely from the driver’s seat.

His partner prised himself from tiny vehicle; By contrast to the diminutive salesman, his factotum was a huge thuggish looking goon. This overall-wearing giant slid open the vehicle’s side-door, and I could see that it was packed full of technological wizardry; Cables and crude tools hung from it’s roof. A jumble of contraptions were heaped upon the van’s dirty floor, spilling out through the open door, splashing into a muddy puddle.

“Internets”, gestured the chubby looking dwarf again, offering clip-board and pen upwards to me, “Yours if you sign this contract now. You can pay me once we’ve done the job. Me and Jif can start as soon as you sign”.

The truth is, I’ve had a perfectly functioning Internet for a years; So why was I a sucker for his sales patter? I cannot explain the madness that seized me.

And while Jif casually patted the head of his long mallet into his beefy hands and Mr Bulldiog thrust his clipboard into my abdomen, I took his pen and signed.

A moment later, the huge man was hauling his over-sized mallet and a collection of wrecking tools from the van’s cluttered hold. He trudged across my parquet with his muddy boots, dragging his crude implements into my home.

Were these gorilla-bars and wrenches the tools of a perfectionist?

“You are qualified to install Internets?”, I asked.

“‘course”, he quipped. “Been installing `em since seventy-three”.

And so I followed the lumbering brute and his master into my home and directed them the pantry where I kept my Internet; And at once he began savagely tearing my old Internet apart, hurling its fragile components down to the kitchen floor. Mr Bulldog squinted, farted and then lit up a fag; Jif’s muscly arms flailed as he bashed and tore his way through my pantry.

“Is this the normal way to dispose of an Internet ?”, I asked.

“Just you leave all that technical stuff to us”, he retorted.

But before I could answer him I was interrupted by a novelty ring-tone. I recognised it as “Crazy Frog”.

He flipped open his cellphone and began to jabber in an impenetrable cockney banter, made worse by the deafening thudding and thumping from the thug who had almost finished defiling my pantry.

He jabbered, hooted and gibbered, in what sounded like a foreign tongue for more than an hour, occasionally breaking into what sounded like a cross between drunken sea-shanty and a hooligan’s chant. As his lackey finished the demolition and the dust began to settle he was still yacking, laughing, guffawing in his own moronic tongue.

I tried ever more blatent attempts to attract his attention. As I was beginning to think he would never stop talking, he flipped-closed his phone and addressed me:

“Sorry mate, we’ve gotta run. Code yellow.”, he said inscrutably. In a final shower of rubble, Jif hoisted the enormous mallet from the wall where it had become lodged, and onto his broad shoulders before tramping back to the tiny van.

“But what about all this mess? My broken Internet?”

“Look mate, it’s only for a night. Me and Jif’ll fix it up tomorra, trust me. I’m giving you me word”, and as he spoke those words he was already out of my front door.

Through the trail of mud, splinters and devastation, I could see Jif impatiently flicking the van’s sliding-door closed with his club-like hand. The surprisingly agile Mr Bulldog hopped in beside him, and soon both were gone.

.oOo.

That was three months this very day; Three awful months have passed since they wrecked my home; and still those hollow horrible words still linger in my mind: “Trust me”, I repeat them to myself and laugh the most sardonic laugh I can muster. Of course they never returned as promised, nor the next day nor any day since I became their victim.

I’ve been calling Mr Bulldog every day since; on the few occasions I have been able to get past his convoluted call-waiting system, my call is usually answered by another idiot henchman. Unfortunately he barely speaks, and when he does, only in mumbles and grunts.

I try to ask this anonymous assistant where Mr Bulldog is and how I might contact him. Once I even asked him to explain the meaning of “code yellow”, but he does not know, and the little he does he is too afraid to tell. Occasionally he tries to offer technical help, but since he is very depressed, and knows less than I do about Internets these calls end in silence, sobbing and frustration.

So here I am, three months after that dreadful day with no Internet and no redress from Mr Bulldog; There is nothing left for me to do but sell my shattered home, change my identity and sign up with a completely different company. Perhaps then I can order a new Internet and put all this behind me. In the meantime, I shall keep my old hunting-rifle loaded by the door case that odious little freak and his goon call again. Mr Bulldog has driven me insane.

What can I say, in conclusion? I only ask that you learn from me and avoid my fate; Mr Bulldog’s offers were easy to accept but if I had known the inescapable consequences I would have sent him packing. I have lost everything that was dear to me; My wife has left me. I am alone, and my home is a dusty mouldering shambles.